All posts tagged: Mindy Kaling

Film Review: Inside Out

“Emotions can’t quit, genius” – Mindy Kaling as Disgust, Inside Out Ah, the film of the century. Or at least, so the numbers led me to believe. Pixar’s latest film, Inside Out, opened to a record-breaking weekend of $91.1 million in revenues, the highest grossing for a Pixar original and the biggest debut ever for a non-sequel movie. Judging a film by its numbers is (shocker) not always the best way to gauge the quality of the film. It turns out, however, that even being the highest-grossing film of all time means diddly-squat, now that nearly every new blockbuster ends up the most successful film of all time (for a few weeks, until the next one comes along). I recently attended a lecture on the economics of the Hollywood blockbuster, which presented Mark Harris’ theory on about the exploding blockbuster trend in Hollywood. In a nutshell, Harris posits that Hollywood’s obsession with the formulaic blockbuster and its ensuing, unending parade of sequels is precipitating the gradual, choking death of the art form. My primary objection to that fatalistic theory was Pixar – a studio that produces hit after hit with nary …

TV Review: The Mindy Project (season 3 finale)

At the end of season 3 of The Mindy Project, Mindy Lahiri (Mindy Kaling) and Danny Costellano (Chris Messina) are expecting their first child (who saw THAT coming in season 1?). In the season 3 finale episode, when Danny fails to make it to a going away party for Mindy’s parents, Mindy reveals that she has not, in fact, informed her parents of Danny’s existence. The finale feels like a gleeful middle finger to Kaling’s critics. The episode includes a hilarious reunion of all the white men Mindy has seriously dated (“the Manhattan meat train”), and while the episode is centered around Lahiri’s family (and even includes scenes of Lahiri in a stunning sari), it never actually depicts her Indian American parents onscreen. I don’t want to give away the ending, as it’s one of the best I’ve seen in a sitcom finale, but it certainly takes The Mindy Project farther than it’s ever been before. The criticism directed towards the show (largely based on the fact that Lahiri apparently dates only white men) has bothered me for a while, for many reasons. Mostly, however, …